The Canadian content regulations established by the CRTC in 1971 played a major part in building our homegrown music industry. What would happen if we applied those principles to Canada’s news media sector?
In my hometown of Kelowna, B.C., in 1970, you bought your records at the Music Box store on Ellis Street. Each week you’d travel downtown to choose from the new 45s and albums that you’d heard on the local radio station. And while you were there you’d pick up the latest list of the top 30 records being played on Vancouver’s powerhouse station CKLG.
Looking at those old charts today, you’d be struck by one thing: aside from an occasional appearance by Anne Murray or the Guess Who, you would almost never see a Canadian artist in the Top 30. The charts were dominated by American and English musicians. The assumption at CKLG, and among its listeners, was that popular music came from those places, not from Canada.
Because there was little airplay for our musicians, there was also very little recording industry infrastructure in Canada. Becoming successful in music back then meant going to the U.S. to record, work and live. Today, by contrast, it’s hard to keep track of all of the Canadian artists who enjoy successful careers here and abroad. Everyone from Drake on down is able to record here and build a global profile without leaving the country. That wouldn’t have happened without Canadian content regulations.
Donald Trump’s trade war with China was in full swing when we left for China. Huawei CFO Meng Wanzhou had been arrested at a Canadian airport, and two Canadians had been detained in China. By the time we left it was July and the Canadian government was warning us to “Exercise a high degree of caution in China due to the risk of arbitrary enforcement of local laws.”
The trip was wonderful, and we came away with a much greater understanding of China and the Chinese people, and with an appreciation for how little we knew about the history, culture and government of the country.
The most striking thing about living in what is undeniably a police state was the iron grip that government has on the news media. Since the average person in China isn’t likely to use a VPN to access foreign media, most people see and read only what the Communist party wants them to see and read.
… When we returned home, I was truly looking forward to returning to my regular media diet of Twitter, Facebook and our local newspapers. Instead, I was shocked to realize that the Canadian news landscape was far too much like the Chinese one we had just left behind. The only difference was that the control was by corporate interests instead of the government.
The Liberal government’s newspaper bailout will undoubtedly help big media players like Postmedia or The Toronto Star, but it will likely have little to offer the hundreds of smaller local newspapers in Canada. As many of these community newspapers shrink in size or get closed down entirely, a lot of Canadians are finding that the only remaining place to find out what’s happening in their hometown is Facebook.